Moisturising Powder

A plethora of milky white granules in the shape of a teardrop, put a few into the palms, dip some water, and spread it on the face or skin for a cool and refreshing effect. This is what older generations have been using to battle the scorching sun and its heat, also acting as sunblock. Besides, this is the traditional skincare product of grandmothers and grandaunts, having the functions of oil cleansing, getting rid of acne, reduce swelling and stop itchiness. This is the most natural form of skincare products, simply made from rice and water. This handicraft is rarely seen now, and there are only a few who mastered it. This is moisturising powder.

Back in the days when skincare products and makeup were not popular, almost every family uses moisturising powder, or even make it themselves, as the ingredients are simple, and have no side effects, suitable for all ages. As times change, there are a wide variety of skincare products on the market, therefore the time-consuming and laborious craft of moisturising powder fell out of favour, especially the stringent smell during the crushed rice fermentation process, which drives people away for miles.

Located at a riverside village in Balik Pulau, Penang, in Kampung Jalan Baru, stands the only remaining traditional handmade moisturising powder manufacturer, Lean Seng Cooling Powder, also known as Wei’s. Yeoh Siong Huat, the second generation owner of the manufacturing site, took over the business that his dad Yeoh Keng Beng started. The senior Mr Yeoh worked humbly for the whole of his life, picking up multiple trades and experienced in various fields. He started manufacturing moisturising powder part-time when he was 31 years old and established the moisturising powder factory, which was about 40 years ago. Over the years, Mr Yeoh senior worked tirelessly with the two ingredients (rice and water), as well as dealing with the weather, and was content with his work. He gained precious experience in estimating the consistency and quality of the rice liquid, moreover he designed a new machine to ease the process of having to press the powder granules one by one using a conical bag.

Although the procedures of making moisturising powder are time-consuming and laborious, having to bear the odour from the fermentation process, and also need to keep an eye on the weather changes, but moisturising powder gradually gained recognition and popularity under Mr Yeoh senior’s perseverance. His wife and him seldom travel, their three children helped to supply the moisturising powders outstation to wholesalers. They also welcome visitors and students to take a tour if the manufacturing site. The general public play an important role in spreading word-of-mouth for traditional crafts to gain more acknowledgement and support, just like the powers of a fountain, pushing the cultural tradition further.

The second generation owner, Mr Yeoh Siong Huat, quitted his job as a goldsmith in 2016, and went back to his hometown to assist his father in the moisturising powder business, in order that the craft continues its legacy, repaying his father’s lifelong efforts to promote the business. For traditional skills and crafts to flourish, willpower and dedication are two key factors that could never be missed. In that same year, the senior Mr Yeoh passed away.

Text: Daniel Lim & Pua Hui Wen

有你 UNI Production
Producer : Mok Yii Chek
Coordinator : Daniel Lim
Cinematographer : Amelia Lim / Evon Pang
Video Editor : Amelia Lim
Production Assistant : Michael Lerk
Music : Touching Moment

COPYRIGHTS 2019 ECHINOIDEA SDN BHD

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Khen Thye Hin

These three words ‘Khen Thye Hin’ have been a family legacy for three generations, hanging eye-catchingly over the doorway. The decrepit iron shutters are full of fingerprints. After pushing hard to open them, a variety of goods are hanging somewhat orderly amidst chaos near the entrance. Upon walking into the shop, steel racks divide the space into the left and the right sections, and more merchandise is hanging above the head, where wooden sticks were tied to the ceiling, hooks extending downwards to display the products like grapes on vines. The seemingly jumbled arrangements each have their own sort of order under the control of the third generation shop owner, Mr Yap Chee Cheong.

77-year-old Mr Yap is born and bred in Kuala Kubu Bharu, growing up together throughout the years with the Khen Thye Hin shop run by his father and uncle, which now is the last remaining traditional imported goods store. In the beginning, the shop only offered tailoring services and sold cloth. After saving up some funds, they progressively bring in imported goods for sale. There are an all-inclusive range of products, from cotton textiles, bedding merchandises, electrical devices, to metal spare parts. Khen Thye Hin is also the only newspaper distributor in Kuala Kubu Bharu, circulating publications such as Kin Kwok Daily News, Shin Min Daily News, Malayan Thung Pau Daily News, Sin Chew Daily, Nan Yang Siang Pau, China Press and more. 

The traditional imported goods stores and grocery stores are differentiated by what they stock: daily necessities versus foodstuff. Due to the imported goods being sourced from European countries and the United States, they were known as overseas goods stores. Back in when departmental stores and supermarkets were not as prevalent, imported goods stores were the people’s first choice in shopping, and could be immensely busy and overcrowded during the festive seasons. In the 21st century, consumer habits and models have changed, malls and hypermarkets are everywhere, the convenience of online shopping, as well as cheap made-in-China goods caused traditional imported goods stores to be unable to withstand the heavy blow from larger environmental waves and therefore die out eventually. The formulated shopping mall experience lacked humane touch, leading to traditional consumer experiences such as negotiation, greeting each other, aggregated pricing, and even crediting purchases, to no longer exist. 

Starting from 2018, Khen Thye Hin terminated their newspaper distributorship, the local villagers have to buy newspapers from the neighbouring Indian mart. Mr Yap intends to retire in a few months time, to move to Kuala Lumpur to stay with his son and family, enjoying the latter part of his life. His younger brother will be following up on disposal of the remaining goods and renting out the property, never to sell. After the Khen Thye Hin signboard is taken down, it will go into the possession of his son, to be bequeathed to the following generations in mind of not forgetting their ancestry.

Text: Daniel Lim & Pua Hui Wen

有你 UNI Production
Producer : Mok Yii Chek
Coordinator : Daniel Lim
Cinematographer : Amelia Lim / Evon Pang
Video Editor : Evon Pang
Production Assistant : Michael Lerk
Music : Sun in Your Eyes from Felt Music

COPYRIGHTS 2019 ECHINOIDEA SDN BHD

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Wong Ng Kee Restaurant

Upon stepping foot in the restaurant, it is as if time stood still in the past, having accompanied Kuala Kubu residents for decades, the familiar taste of generations. Moreover, it used to be the sole restaurant in Kuala Kubu Bharu which provides banquet catering services – Restoran Wong Ng Kee. Founded for nearly 80 years, from a tiny stall selling wonton mee and porridge, to banquets bearing memorable moments of the neighbourhood’s inhabitants, although it may seem decrepit, it is a long-established name and a well-acquainted place for countless local residents. 

77-year-old eldest brother Wong Siew Kei (transliteration) is the second generation heir, operating the restaurant alongside his wife and his three younger sisters. For half a century, they personally handled all matters in their restaurant instead of hiring manpower. From the preparation of ingredients, cooking and serving dishes, all are done by the five of them. In spite of their rising age, as all of them are now senior citizens, they still work hard in the restaurant by themselves. Made fresh daily by eldest brother Wong Siew Kei (transliteration) are their noodles, including marinating and roasting their signature traditional barbecued pork.

The senior Mr Wong migrated to Malaysia from China with his elder brother when he was nine years old. Initially he was in the grocery trade, after that he runs his own stall selling homemade wonton noodles. Due to the senior Mr Wong being the fifth in his family, and people from his hometown call him “fifth brother”, he named his restaurant ‘Wong Ng Kee’ (by fifth brother of Wong family). Self-taught chef Mr Wong Siew Kei (transliteration) helped his father at the stall since he was in primary school. Besides mastering noodle-making skills, after taking over the restaurant from his father, he suggested increasing the number of dishes, taking the initiative to research and develop recipes. Thus, he improved his culinary skills from books and reading materials, and even from customers’ feedback.

During the 1980’s when catering for banquets, Wong Ng Kee was quite famous. From catering to the banquets of usually six tables or more, to setting up a temporary canopy in front of the shop, they were as busy as bees. As time passed, although they no longer offer catering services, within the unpretentious interior, you may find the warm touches of the Wong family, and the silent trail of years gone by. 

Text: Daniel Lim & Pua Hui Wen

有你 UNI Production
Producer : Mok Yii Chek
Coordinator : Daniel Lim
Cinematographer : Amelia Lim / Evon Pang
Video Editor : Amelia Lim
Production Assistant : Michael Lerk
Music : Beneath The Moonlight

COPYRIGHTS 2019 ECHINOIDEA SDN BHD

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