Datuk Gong in Simpang Renggam

During desolate years, Chinese forefathers sailed over and settled down in Malaysia, shedding blood and sweat in cultivating their own success, safety and wellness are of immediate concern to them while working abroad. Be it in rural countrysides or on streets and alleys, business districts, residential areas, or industrial sites, a small red shrine could be observed outdoors, the flowing incense smoke an offering to the guardian god of common folk —— Datuk Gong.

In the dense Chinese cultural history, there is a deeply-rooted belief in regional Land Gods. Upon settling in Malaysian lands, co-existing with compatriots from other races, praying together to be safe and sound, hence fusing the perception of regional Land God with pre-Islamic Malay Datuk Keramat spirit belief, resulting in a local God well-known across the country. The common representation of Datuk Gong is an elderly person wearing traditional Malay clothing, otherwise having numerous natural presence such as massive termite nests, towering ancient trees, or sacred stones. Datuk Gong accepts offerings from all races but not consuming pork, usually contributions are made according to Datuk Gong’s preference, including curry, turmeric rice, cigar etc.

Peninsula Plantation located in Simpang Renggam, formerly known as South Malaya Pineapple Plantation, is the largest pineapple plantation in Malaysia. The plantation was developed in 1954 on a large scale, covering an area of over 6,000 acres, with up to 400,000 pineapple trees planted. Back then there were hundreds of staff working in the plantation, including both local residents and labourers from neighbouring areas, made up of the three major races. This Datuk Gong shrine is located inside the plantation, its original site was a pile of stones near its current site, no matter supervisors, lorry drivers, or staff who plant and harvest pineapples, all of them will pay their respects on the way to and off work.

During the earlier days, there was no mosque near Peninsula Plantation, therefore it did not seem odd that compatriots from other races also prayed to Datuk Gong. In 1965, after the durian trees planted beside the rocks were struck by lightning, staff from the three major races joined efforts to build a temple as a place of shelter for Datuk Gong, which is today’s Ling Sian temple. The plaque recording donations made fades gradually, however the ink is still legible, a witness to the multicultural Malaysian community living together in harmony.

On 18th November, the annual celebration of Datuk Gong’s birthday, the plantation staff will worship with curry rice prepared by Malays. Back then it was extremely busy during the festive celebration, besides Chinese opera shows, there are also wayang kulit and movie showcases to cater for compatriots from other races, both held together at the empty space in front of the temple. People of three major races gather for the auspicious event, enjoying in harmony. Now it is different, Malays strictly adhere to Islamic practices, whereas Datuk Gong is continually worshipped by the local Chinese devotees, who set up a committee. Apart from upholding the reverence of Ling Sian Temple, they also organize a series of activities such as the annual Datuk Gong birthday celebration, donation to the needy and eldery, as well as Chinese New Year Spring Lantern Festival Dinner.

The Datuk Gong inside the plantation of Simpang Renggam pours out blessings to the locals in their work and lives, becoming their belief and spiritual sustenance. From a small shrine to the construction of Ling Sian Temple, step by step, the historical imprints show that the worshipping of Datuk Gong is not considered as religious, but a sense of respect for Mother Nature and the land we live on. Only by maintaining a heart filled with awe, there will be a smooth and safe life journey.

Text: Daniel Lim & Pua Hui Wen

有你 UNI Production
Producer : Mok Yii Chek
Coordinator : Daniel Lim
Cinematographer : Amelia Lim / Evon Pang
Drone : Daniel Lim
Video Editor : Michael Lerk
Production Assistant : Michael Lerk
Music : Dyathon – With You from YouTube

COPYRIGHTS 2019 ECHINOIDEA SDN BHD

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Liong Yu Barber Shop

Along with the snipping sounds of scissors, cascades of hair fall onto the ground, the barber deftly maneuvers a pair of small scissors, cleanly clipping from beside the ears, in front of the forehead, and the back of the head. In a row of half-century old shops situated near Simpang Renggam Wet Market, spot Kedai Gunting Liong Yu with clear glass panes on its wooden walls and door. The interior of the shop is simple and inelaborate, consisting of two barber chairs which are over 50 years old and all sorts of barber tools, among these a wooden plank used for elevating children on the seat, unchanged since the opening of the shop. However the traditional manual hand cutting method using scissors is replaced by electrical shears.

Traditional barber shops are commonly found in small towns, with an economical modest price, offering honest service ranging from half an hour to one whole hour. It is entirely different from 15-minute speed haircut shops found in shopping malls which offer convenient and fast service for city folk leading a hectic lifestyle. In recent years, branded hair salon chains blossomed, with ornate interior furnishing and advanced equipment, hair stylists on duty all graduated from vocational colleges. Besides hair wash, cut and blow dry, they also offer services such as dyeing, perm, hairstyle design, and even hair treatment and nail decoration, at a startling exorbitant price. In comparison, customers of traditional barber shops enjoy a more substantial service, not only obtaining a neat and clean hairstyle, there are also additional options such as facial hair removing, beard trimming, as well as earwax removal, an exceptional service rarely seen in barber shops.

83-year-old Master Yu Yee Kong still has eyes like a hawk, carefully performing earwax removal by the dim lighting of a yellow light bulb, with antiseptic liquid and a set of tools made of silver consisting of an ear pick, extraction forceps, and ear rake. In the case of accidental injuries, silver tools would not cause infection. Mr Yu has been performing haircuts on up to four generations of local residents, he is especially eloquent when talking about the barbering industry and the treasurable tools used. Among his regular customers, there are some whose father brought them for a haircut since childhood, till now they work overseas and still visit his barber shop whenever back in their hometown. At present, the main customers of Mr Yu are local Malays and Chinese, mostly of the older generation, just a handful of children.

Reminiscing his life as an apprentice at Singapore in his teenage years, Mr Yu endured financial hardships with his constant persistence, working hard throughout his 18-month apprenticeship. In the earlier days where there was a lack of job openings, by picking up a skill Mr Yu mastered a trade which enabled him to work independently and support himself financially. Back then barbering was one of those rare jobs which does not require hard labour, no exposure to extreme weather conditions, able to generate a stable income and address essential needs. Often moving around since he started working, Mr Yu came across an opportunity to establish his own shop in his hometown. The original price list during setting up shop in 1968, a piece of calligraphy by Mr Yu’s friend, is well kept until the present, memorabilia of his challenging journey of being a barber, as well as a witness to the changes in the barbering industry.

With the passage of time, humane touch and warm memories fill the old shop front. From the ever-competitive past of traditional barber shops, to the decline in market demand causing barbers to relocate or switch careers, till now barbers within the same generation as Mr Yu eventually retire or pass away. Although the operating days are getting shorter, the relationship with customers become longer.

Text: Daniel Lim & Pua Hui Wen

有你 UNI Production
Producer : Mok Yii Chek
Coordinator : Daniel Lim
Cinematographer : Amelia Lim / Evon Pang
Video Editor : Evon Pang
Production Assistant : Michael Lerk
Music : Ivory Dreams from SerenityStudio

COPYRIGHTS 2019 ECHINOIDEA SDN BHD

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Lady Worker in Pineapple Plantation

At 6A.M. before dawn, Aunty Liew Chiew Moy is well prepared, carefully riding her motorcycle from her house towards the pineapple plantation in Simpang Renggam. Rows of pineapple trees forming a vast, boundless sea of pineapples welcome her. Aunty Liew proceeded slowly but steadily on the yellow mud road until the center of the plantation, gathering with her colleagues. Before starting the day’s work, they prepare their tools and protective equipment, for instance sharpening knives, wearing gloves and sunhat, get ready before starting to harvest pineapples. Not only is Aunty Liew the most senior worker in the plantation, she is also the only remaining Chinese lady worker.

Simpang Renggam is located in the mid section of Johor, close to the North-South Expressway, where the largest pineapple plantation in Malaysia is. The soil in the region is peat, formed from decomposed organic mass, having the advantages of being loose and good air circulation. Moreover, plentiful rainfall makes it an ideal place for planting pineapples. Pineapple plantation industry in Simpang Renggam started from the 50’s, achieving its peak in the 60’s to 70’s, becoming the main economic activity of the local population. Among them, Peninsula Plantation Sdn Bhd where Aunty Liew is attached, is the largest plantation in the vicinity, its surface area over 6,000 acres, with up to 400,000 pineapple trees.

Since a teenager, Aunty Liew has been working with pineapples for over half a century. Under the influence of her parents, she started working at 15 years old, having experience in grass-cutting, sowing pineapple seedlings, until focusing on harvesting pineapples as of now. At the age of 68 years old, she is still as fit as a fiddle, carrying a 50 kilograms basket on her back without any problem. Aunty Liew gets along well with her colleagues, always greeting each other warmly and showing concern for each other’s well being. They work diligently together as a team for three to four hours a day. Back then during peak seasons, they sometimes work for 8 to 9 hours per day. Even though the weather is extremely hot, they could still be seen harvesting pineapples from the low pineapple trees.

Pineapples grow in different positions on the tree, therefore the job of harvesting is difficult to replace by machinery, having to rely on traditional manpower. Aunty Liew grabs hold of the golden yellow fruit, with a swing of the knife, the fruit is separated from its stem, she then throws the harvested pineapple into the rattan basket on her back, developing deft “back air shot” skills over the years. Although the job itself is not difficult, there are several risks, including stumbling upon low leaves, which may have to be pared off on the way into the plantation to ensure a smooth journey. In the earlier days the plantation is adjacent to forests, bumping into pythons and wild hogs from time to time is a scary experience. Aunty Liew still trembles when reminiscing that she once accidentally cut a beehive, luckily her colleagues alerted each other to run for their lives, no harm was done.

Aunty Liew has been through the rise and fall of the pineapple plantation industry, witnessing on her own the plantation staff changed from a majority of Chinese to now mostly Malays and foreign labourers. As her friends eventually retired, she became the last Chinese lady worker in the plantation. Defending her duty for the most of her life, yet still passionate about her job, Aunty Liew’s dedication is much admirable.

Text: Daniel Lim & Pua Hui Wen

有你 UNI Production
Producer : Mok Yii Chek
Coordinator : Daniel Lim
Cinematographer : Amelia Lim / Evon Pang
Drone : Daniel Lim
Video Editor : Amelia Lim
Production Assistant : Michael Lerk
Music : Dancing Star

COPYRIGHTS 2019 ECHINOIDEA SDN BHD

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