Chinese Herbal Tea

A few decades ago, there was a Sentosa Cinema in Section 17, Petaling Jaya. In its immediate surroundings, there were plenty of roadside stalls, a wet market by day and a food court by night, fulfilling the community’s living needs. After the cinema burned down in 1997, the site became a carpark, until Seventeen residence and mall was constructed in 2014. Beside the building, Petaling Jaya city council offered a sheltered space for the hawkers, many of whom had been there for over four decades, standing witness to the changes in the neighbourhood, and frequented by local residents. Among them is Chinese Herbal Tea.

The stall owner, Uncle Ngui Pong, is in his seventies. Hailing from Bukit Kepong in Johor, at 17 years old he moved to Selangor to learn martial arts and Tit Tar from Master Chow Tin Sang in SEA Park. Master Chow sold herbal tea for a living, and taught Uncle Ngui the traditional recipes for him to start his own business at the neighbouring Section 17. There are a few types of herbal teas: Five Flower Tea, monk fruit tea, Prunella vulgaris tea, and bitter tea (also known as “Wong Lo Kat”). One may opt to add Chinese medicine powder to bitter tea, to help relieve bodily discomforts. Later on, Uncle Ngui studied Traditional Chinese Medicine, and made minor adjustments to the recipes according to the therapeutic properties of medicinal herbs. 

Selling herbal tea is a tedious task that takes up the entire day. At 8AM, Uncle Ngui starts preparing to boil herbal teas in the kitchen at the rear of the house, one large pot of each type. In the past, he used charcoal stoves, the heat was not stable, hence requiring close attention and the need to add firewood. Now that he uses gas stoves, the heat is stable, and Uncle Ngui is able to make time throughout the several hours of boiling to attend to patients who visit his Tit Tar clinic. Around 3PM to 4PM, the herbal teas are ready, and it is time to set up the stall. He travels back and forth between the food court and his house to bring the herbal teas, tables and chairs, and the stall itself. His wife also helps him to set up and do sales. Meanwhile, if there are patients, he returns to the clinic at home to attend to them. The herbal teas are prepared fresh daily and sell out. Uncle Ngui used to sell until late night, but in recent years he closes around 10PM.

Uncle Ngui usually sports white attire, the signboard of his stall is written in red on a white background, such is his appearance from youth to elderly. Day in, day out, he set up his stall in Section 17 regardless of the weather, the local residents drop by for herbal tea whenever they feel “heaty”. Many of his regular customers used to study at Universiti Malaya, and have been supporting him since they were students. Whenever they meet Uncle Ngui and his wife, they greet them with respect. The city council did not provide a dining area in the sheltered space for hawkers, therefore Uncle Ngui and his wife bought dozens of tables and chairs with their own money, providing convenience to fellow hawkers as well as customers, without demanding any return for their extra efforts. It would be great if customers could order a cup of herbal tea priced at RM2.50 as a gesture of appreciation. 

Despite always looking serious, Uncle Ngui is honest and selfless, his herbal teas are authentic and priced reasonably, enabling him to blend into an unfamiliar neighbourhood and stay for decades. Each cup of herbal tea not only helps promote health, but also acts as a relationship bond between Uncle Ngui and the local community, a sweet sight in this Chinese new village within the city. 

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【About Herbal Tea】

Herbal tea originated from LingNan, which encompassed the modern regions of Guangdong, Guangxi, Hainan, Hong Kong, and Macau. Due to being located in the subtropical monsoon climate zone, the combination of humidity and heat causes discomforts to the human body. Herbal tea is a herb-based healthy drink based on Traditional Chinese Medicine knowledge to relieve such discomforts. Herbal tea formulas can be divided into single and compound formulas, namely utilising a single type of medicinal herb and multiple types of medicinal herbs, which have therapeutic properties, such as honeysuckle and Prunella vulgaris.

Boiling herbal tea requires careful control of heat and time. The herbs need to be boiled just right, neither overboiled and lose all efficacy, nor underboiled and less efficient. Put the herbs and water into a pot, bring to a boil, then simmer over low heat for at least three hours. After that, it is left to stand for a period of time, to enrich both the flavor and the color of the herbal tea, before it is considered done.

Herbal tea is not only a drink, but a health-preserving wisdom based on Traditional Chinese Medicine originating from the general public and passed down over thousands of years. Drinking herbal tea to stay healthy is a major feature of LingNan folk culture. As our forebearers migrated to tropical Southeast Asia, herbal tea became widely popular due to its remarkable efficacy, and people of all nationalities and ethnicities could drink it. Herbal teas may be light or dark in color, and sweet or bitter in taste, yet each offers benefits that support one’s well-being. 

有你 UNI Production
Producer : Daniel Lim
Cinematographer : Amelia Lim / Michael Lerk
Drone : Daniel Lim
Video Editor : Amelia Lim
Copywriter : Pua Hui Wen

COPYRIGHTS 2025 ECHINOIDEA SDN BHD

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Ling Lam Tit Tar

Surrounded by the hustle and bustle of the city, Kampung Baru Seri Damansara is adjacent to Section 17, Petaling Jaya. Nestled within this new village is Ling Lam Physical Training and Treatment, founded by Master Ngui Pong since 1979, and has not relocated since. Back then, the spot was quite lively, folks come to learn martial arts and lion dance. In recent years, the focus is on administering Tit Tar (Traditional Chinese Medicine Orthopaedics and Traumatology) treatment. Master Ngui has almost 50 years of experience, the reasonable fees he charges and his skilled techniques earned a good reputation. Ling Lam Tit Tar is rather well known in the area. 

Tit Tar is a method to treat injuries that originated from among the populace, based on scientific knowledge such as anatomy and physiotherapy, combined with Traditional Chinese Medicine (TCM) to help recuperate, it proves to be effective and therefore commonly accepted. Tit Tar techniques involve using hands to touch and feel the afflicted area, in order to examine the exact location of the injury and its severity. Appropriate force is applied to perform bone realignment, then rub on medicine and bandage the affected area to limit movement. After a couple of days, the patient revisits to change the bandage and receive some physiotherapy. If there is no abnormality, the course of treatment can be ended and let the bones gradually recover. 

Master Ngui was born in Bukit Kepong, Johor. After finishing primary school, he went to work in Batu Pahat as an apprentice. At the age of 17, upon recommendation, he came to SEA Park in Petaling Jaya to learn martial arts, as well as Tit Tar, and sells herbal tea to earn a living. After a few years, his master brought him to Muar to visit his grandmaster, who hailed from LingNan, China. The grandmaster imparted a number of TCM prescriptions to him, from there he learnt to make trauma wine and balms. Master Ngui is grateful for the precious knowledge gained, when he started his own venture, he chose to continue the legacy of the brand “Ling Lam”.

The rented village house in Kampung Baru Seri Damansara originally comprises one small cottage, surrounded by open space, ideal for practicing martial arts and lion dance. Later on, it expanded into the current appearance. It used to be the family house of Master Ngui’s wife, Ng Siew Lian. Here they started their relationship, and subsequently built a family together while working hard to make ends meet, for over 40 years they never left the place. The front part of the house is the Tit Tar clinic, the kitchen for boiling herbal teas sit at the rear end. After their marriage, Madam Ng helps Master Ngui to run both the Tit Tar clinic and the herbal tea stall, and both of them studied TCM courses together to improve their knowledge. 

Master Ngui and Madam Ng each perform their own duties: He focuses on giving Tit Tar treatment while she oversees the operations. Nicknamed the General Affairs Officer, she takes care of everything from procuring, preparing, handling, to selling the medicine. Due to regular manufacturing homemade trauma wine, balms, and pills, Madam Ng knows all the recipes by heart. At the same time, she insists on using the traditional way, which is to grind medicinal herbs into fine powder form, instead of buying patent medicine. 

The Tit Tar clinic is jointly managed by Master Ngui’s family, his children also chose to continue his legacy. They learned the basics of TCM, and practises Tit Tar under their father’s guidance. The eldest son, Ngui Kok Feng, has 20 years of experience, and recently branched out at Berjaya Times Square to expand customer reach while offering more comprehensive forms of treatment. Two younger sons are still working at the old site, and the eldest daughter comes back to help from time to time, lending their parents a helping hand.

Over the decades, Master Ngui persists to administer treatment with integrity and kindness, helping patients to recover, and maintaining the musculoskeletal health of the local community.

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【About Tit Tar】

The place name “LingNan” came into being since the Tang Dynasty, and was one of the ten prefectures, which encompassed the modern regions of Guangdong, Guangxi, and Hainan. Throughout history, several instances of mass migration occurred, as well as foreign invasions, therefore it is common practice to learn martial arts for self-defense and to protect the family. In olden times, the founder of a martial arts school would need to be proficient in three skills, namely martial arts, lion dance, and Tit Tar – due to people practising martial arts are prone to musculoskeletal injuries, they developed methods and remedies for treating such injuries.

Before healthcare facilities became widely available, people suffering injuries from a fall, a sprain, or bone dislocation would seek Tit Tar treatment. Nowadays modern medical facilities are everywhere, but not everybody want to wear a plaster cast or undergo surgery, hence the demand for Tit Tar.

Trauma wine consists of dozens of medicinal herbs soaked in distilled white wine with high alcohol content, and fermented over several months. Balms are made of medicinal herbs ground into fine powder form, and appropriate medium is added to cook into a paste. 

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【Martial Arts originating from LingNan】

The system belong to Hung Gar, which is prevalent in southern China, forms include “Taming of the Tiger in Gung Pattern” (Gung Gee Fook Fu Kuen) and “Tiger Crane Double-Form Fist” (Fu Hok Seung Ying Kuen)

Tracing the master-disciple lineage:

Master Wong Fei Hung
A martial artist under Hung Gar system, renowned lion dance master, and a Traditional Chinese Medicine practitioner during the late Qing Dynasty and the Republic of China.

Master Lam Sai Wing
One of Wong Fei Hung’s most successful and influential disciples, he is proficient in both Hung Gar martial arts and Traditional Chinese Medicine.

Master Sung Siew Poh
One of Lam Sai Wing’s most prodigious disciples, he not only learned Hung Gar martial arts, but also mastered Traditional Chinese Medicine skills. In the 1950s, he moved to Malaysia and established the “Ling Lam Martial Arts and Fitness Academy” in Muar, Johor.

Master Chow Tin Sang
Born in Yong Peng, he is among the first disciples of “Ling Lam Martial Arts and Fitness Academy” under Master Sung Siew Poh. Master Ngui Pong is his disciple. 

Master Ngui Pong
Born in 1956, he is full of passion for Chinese martial arts and sports since a young age. In 1979, he founded “Ling Lam Physical Training and Treatment”, and also serves as medical consultant to numerous organizations both local and overseas. 

有你 UNI Production
Producer : Daniel Lim
Cinematographer : Amelia Lim / Michael Lerk
Drone : Daniel Lim
Video Editor : Michael Lerk
Copywriter : Pua Hui Wen

COPYRIGHTS 2025 ECHINOIDEA SDN BHD

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“Maestro of Paper Shadows ” — Toh Ai Hwa

Teochew iron-rod puppetry originated from Chinese shadow puppetry, where puppeteers animate paper cut-out figures on a translucent screen with the aid of an illuminated background. To adapt for daytime performances, the puppets were refashioned: using tightly packed bundles of hay to form the torso, moulded clay for the head, paper and wood for the limbs, dressed in costumes, with iron rods attached to the back and limbs. The translucent screen was replaced by a glass screen. The stage structure was then changed to mimic the Teochew opera stage, complete with bamboo curtains and miniature props, and the puppeteers remain behind the curtains while manipulating the puppets to perform onstage. Those working in this line of industry are usually referred to as “Maestro of Paper Shadows”. Madam Toh Ai Hwa (a.k.a. “Zha Bor Jie”), now in her 70s, is well-known in the Teochew Puppet Opera industry in Malaysia. The special stage performance entitled “Maestro of Paper Shadows” is organized by her daughter to mark Toh Ai Hwa’s 61 years of dedication in her career.

Toh Ai Hwa is born into a family of Teochew opera performers. Her maternal grandfather, Yeoh Beng Kim, migrated to Malaya in the 19th century with his Teochew opera troupe “Lao Sai Yong Hong”; her maternal grandmother, Lee Gek Hong, was an accomplished actress playing Lady roles in the 1920s; her mother, Yeoh Cheng Im, was an accomplished actress playing Young Man roles in the 1940s; her third elder brother, Toh Ah Hock, is famous for playing Old Man roles. Traditional perceptions of opera performers were negative and disdainful. Yeoh Cheng Im did not want her children to suffer the same fate, therefore her husband brought up Toh Ai Hwa outside of the troupe, but the Teochew opera genes run deep.

By chance, Toh Ai Hwa joined “Lao Rong Xiu Chun” Teochew puppet troupe at 12 years old. Due to the puppets being too heavy for her to handle, she poured her heart into learning the musical instruments instead, and became the lead percussionist and chief conductor at the tender age of 15, which is a rare feat especially for females at the time. Besides playing percussion instruments, Toh Ai Hwa also did double duty to recite and sing the lines of various roles. As she was familiarized with Teochew opera since her childhood, she recited and sang brilliantly, having been blessed with a warm and rich voice. Being illiterate, she was unable to read manuscripts, yet she managed to memorize the lines of all the roles as well as the drum parts of nearly a hundred different Teochew operas.

In 1989, Toh Ai Hwa took over the Teochew puppet troupe as the manager retired, and rebranded as “Kim Giak Low Choon”. Her unwavering strength and determination, with assistance from her husband and four children, improved the business of the troupe, and secured plenty of performance bookings. Later on, Toh Ai Hwa’s daughter-in-law and grandchildren also joined the troupe, committed to uphold the family legacy for the fifth generation. As the rhymed spoken parts in “Emperor Ming of Tang cleanse the theatre” goes: The high platform is elaborately decorated, the number of opera performers are countless, each sentence is written by imperial scholars, singing about the vicissitudes of life – may the art pass down through the ages.

Teochew iron-rod puppetry is usually performed during traditional rituals or to honour deities. In a time when entertainment was scarce, it was also widely enjoyed by the general public. The seventh month of the lunar calendar is the busiest month for the puppet troupe, in conjunction with the Zhongyuan festival, community groups and temples would host streetside puppetry performances to pay respects to spirits. As times change, so did social perception, puppetry is no longer a performance carried out in temples but rather a form of performing arts. The puppet troupe gained opportunities to perform and share their experiences abroad. Although Toh Ai Hwa mostly stayed behind the scenes, she played an important role in passing on the legacy of Teochew opera and puppetry, and she was awarded the title of “Penang Intangible Cultural Heritage Inheritor” in 2008 and received the “George Town Knowledge Contribution and Heritage Award” from the George Town World Heritage Incorporated in 2020.

有你 UNI Production
Producer : Daniel Lim
Cinematographer : Amelia Lim / Michael Lerk
Drone : Daniel Lim
Video Editor : Michael Lerk
Copywriter : Pua Hui Wen

COPYRIGHTS 2025 ECHINOIDEA SDN BHD

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